FUJI GFX GF 500mm 5.6
A New Era in Wildlife Photography?
As a wildlife photographer, every shot I take is a story waiting to be told. The thrill of capturing a fleeting moment in the animal kingdom is what drives me to explore new horizons in photography. On my last trip to Kenya in 2022 I used my GFX100 with GF 250mm quite a bit, still 250mm for Wildlife is often a bit short if you don’t want to crop in - I don’t use medium format to be able to crop, I want all that detail and quality that is possible!
That's why I'm ecstatic about Fujifilm's upcoming addition to the GFX lens family - the GF 500mm lens.
As a wildlife photographer, my heart races at the thought of what I can capture with this lens. It's an opportunity to tell stories that were once distant whispers in the wild. Fujifilm's commitment to innovation in the world of photography is something I wholeheartedly embrace.
So, if you share my passion for the wild and the fine art of capturing it, with the GF 500mm lens, Fujifilm will give wildlife photographers like me and you the tools to get the best possible image quality out in the wild. I can’t wait for it to be available in 2024!
the FUJI GFX100 II
Fujifilm's GFX series cameras have always been a favorite for me since I bought my GFX100, it gives me uncompromising image quality but the performance for wildlife has some limitations, I have used it mostly for slow animals, and some for still birds. With the GFX100 II, Fujifilm has raised the bar once again.
Key Features that Define the GFX100 II
Unrivaled Image Quality
At the heart of the GFX100 II lies a 102-megapixel sensor. The level of detail this camera captures is nothing short of astonishing. Every feather on a bird's wing, every strand of fur on a mammal, and every nuance of light and shadow are rendered with breathtaking clarity. This sensor is a dream come true for wildlife photographers seeking to immerse their viewers in the wild's grandeur.
In-Body Image Stabilization
Nature doesn't always offer stable ground for tripods. That's where the GFX100 II's in-body image stabilization (IBIS) shines. Handheld shots, even with longer lenses, will come out tack-sharp. It's a game-changer when you're tracking a moving subject.
Fast Autofocus and Tracking
The GFX100 II features a fast and accurate autofocus system, not as fast as my Canon R3 but a compromise I’m willing to make for these 102 precious megapixels. I will use both side by side depending on the situation.
Robust Build for the Outdoors
Nature photographers understand the need for rugged gear. The GFX100 II boasts weather-sealed construction, assuring me that it can handle the elements. Rain or shine, I can keep shooting without worry.
