Exciting Times Ahead: Canon’s Upcoming Cinema EOS C50 to Challenge Sony’s FX3
As a photography and filmmaker gear-aholic geek, longtime Canon photographer, and a Sony shooter for video, I’ve been keeping my…
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Why a 360° Shutter Sometimes Makes Sense in Wildlife Filmmaking
Most filmmakers will tell you the golden rule for shutter angle is 180°. It’s the cinema standard, the setting that…
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African Wild Dogs: A Glimpse into the Lives of Africa’s Rarest Hunters
I’ve always had a soft spot for the wild’s overlooked heroes, the ones that don’t get the lion’s share of…
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Blackmagic Design Slashes Prices on URSA Cine Cameras: A Game-Changer for Filmmakers?
In a move that are going to send shockwaves through the filmmaking community, Blackmagic Design has just announced massive price…
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Exciting Firmware Updates for Sony FX3 and FX3A: BIG6 Menu and BRAW Support Arrive!
As a new owner of the Sony FX3A, I’m always eager for updates that enhance my filmmaking workflow. Sony has…
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Capturing the Wild: Why Visual Cues Matter More Than Storytelling
For years, I believed the mantra that “great photos tell stories.” It’s repeated endlessly by photographers, instructors, and books. But…
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Sigma 200mm F2 DG OS Sports: Mirrorless Takes on a Legend
Sigma just dropped a heavyweight today, August 19, 2025: the 200mm F2 DG OS Sports, the world’s first 200mm f/2…
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Antigravity A1 8K 360 Drone: A New Player in the Skies or Just a Fancy Toy?
Insta360, long known for pushing boundaries in 360-degree imaging, has made its first leap into the drone market. Through its…
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Lightroom Classic Color Profile Issue with Sony A1 II: A Silent Fix in Version 14.5
Photographers using the Sony A1 II encountered a frustrating issue with Adobe Lightroom Classic versions 14.2 through 14.4, where RAW…
